Creon The oppugn of who the hero or heroine of Sophocles Antig whiz has perplexed scholars for years. In authoritative Mythology, Aristotle has told us that a sad hero or heroine is a quality, usually of high birth, who is neither entirely comfortably nor in all evil. Also some type of weakness or demolish in judgment brings around their d deliverfall. The nigh decisive snap saturnine of a tragic hero or heroine is that the per tidings accepts in effect(p) responsibility of his or her actions and becomes a mitigate per give-and-take beca single-valued function of his or her d testifyfall. The square tragic hero or heroine in Antigone is the character, which evolves the most, which is proves to be Creon. The initiatory and most app arnt characteristic of a tragic hero or heroine is that some(prenominal) Creon and Antigone are born into kingly family and have a high position or standing(a) in society. Antigone is daughter to King Oedipus, which at birth establ ishes her royal condition and high standing in her area, Thebes. Creon is blood pal to Antigones mother, poof Jocaste, who is blood queen to Thebes. Creon proves he is King of Thebes, when he concurs the tale to the chorus and says, ¦your devotion to King Laios was absolute; you never hesitated in your duty to our late ruler Oedipus and, when Oedipus died, your loyalty was transferred to his children. Unfortunately, as you know, his some(prenominal) discussions, the princes Eteocles and Polyneices, have killed each other in battle; and, I as the next blood, have succeed to the full ascendant of the throne (Pages 1014 ? 1015, lines 12-16). This clearly establishes Creons royalty and high standing duette Antigone and Creon meet the first criteria for a tragic hero or heroine. The second characteristic of a tragic hero or heroine is that the character must be essentially good and non whole evil; someone that is admired for his or her actions. Antigone believes t hat both her brothers should nab a proper b! urial. She goes to her notwithstanding remaining sib Ismene and says,         Listen, Ismene: Creon interred our brother Eteocles         With military honors, gave him a solders funeral,         And it was right that he should; besides Polyneices,         Who fought as bravely and died as miserably- They say that Creon has swear No one shall bury him, no one deplore for him, unless his proboscis must lie in the fields, a brisk treasure For carrion birds to rally as they search for food. That is what they say, and our good Creon is approach path here To announce it publicly; and the penalty ? stoning to remnant in the public square! (1013 ?1014, 14 ?20). Antigone appears to be a loving sister who only wants what is right for her brother and kick down him a proper burial, even if that means defying the index and organism stoned to death. Antigone is basing her believe on the law of the gods and using that to patronise her actions.                 Creon also is essentially good because he puts his country first in the statement ¦I say to you at the precise outset that I have nothing plainly disrespect for the kind of Governor who is afraid, for whatever reason, to follow the flow that he knows is best for the State; and as for the man who sets insular acquaintance above the public welfare, ? I have no use for him either (1015, 19 ? 22). Creon has tried to live a integrity full by doing what he feels is right for his country. Antigone and Creon are both looked up to by the commonwealth because of what they stand for.         The ordinal most important characteristic of a hero or heroine is the one in which the fallen individual not only realizes his/her wrongdoing or flawed personality, but also becomes a reveal character because of it. Antigone has the support of the people because she appears to be handsome and venerable. The school principal in which Antigone falls is wh! en she says ¦but Creon deemed me guilty of misplay therein, and of outrage, ah brother mine! And now he leads me then, a enwrapped in his hands; no acceptation bed; no bridal song hath been mine, no joy of marriage, no bundle in the nurture of children; but thus, forlorn of friends, unhappy one, I go living to the vaults of death (handout). Antigone attempts to draw pity from the people and fails because it comes off as a selfish gesture. The people dispirit to question her motives for her actions. Once Antigone realizes Creon will not spare her, she goes to her unsafe saying, What things I suffer, and at what mens hands, Because I would not better the laws of paradise (1029, 79-80) Antigone has not truly accepted responsibility for her actions.
She has turn up this by being stubborn and not accepting Creons illume of her actions when he questions her roughly her disobedient behavior in burying her brother.         Similarly, Creon is stubborn because he stands his ground with Antigone, even though his son Haimon pleads with him to spare his fiancé, Antigone. Creon proves to be even more stubborn to his own his own son, his own blood, Haimon. Creon denies his sons pleas and continues to uphold Antiogones punishment. After entombing Antigone, Creon is told by Teiresias that he has made a grave mistake and to Give in to the dead man, then: do not fight with a corpse- What glory is to kill a man who is dead (1030 ? 1031, 36-37). This is where Creon begins to delude his crepuscule as he listens more to Teiresias and is uncertain most how to stop wh at he had begun. It is only when Choragus reinforces! Teiresiass statements that Creon knows he must make better himself of his wrong doing by burying Polyneices and freeing Antigone from her grave. Choragus tells Creon to                 Go right away: free Antigone from her vault                 And build a tomb for the body of Polyneices (1302, 96 ? 97). Creon goes to do the task asked of him, but does not do them in the order given. The moment of perpeteia is when Creon arrives at Antigones grave and finds not only Antiogone, but also his son Haimon, who has already unresolved the tomb and has found his fiancé dead by her own hands. Haimon gross out with his father and blaming him for her death, takes his own life, thus leading to Eurydice, Creons wife, killing herself. Creon brings theatre is dead son, only to find his dead wife.         The previous discussions about and excerpts from Antigone clearly illustrate that Creon is the true tragic hero. It is apparent that pigheadedness and steadfastness is not unceasingly a positive attribute. These character flaws are responsible for the downfall of Creon.                         If you want to get a full essay, order it on our website:
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